This change in the expression of Beethoven’s creativity could well have played the role of a self-therapy. This period appeared as transitory between the bright Promethean period and the fullness of the final Ethereal period. Results : The median frequency of pitches was higher during Beethoven’s time of mental distress. A hierarchical generalized additive model was performed to regress the frequency of pitches with Musical Instrument Digital Interface (MIDI) pitches, periods of composition, degrees, rests, and length of the sonata’s movements. Methods : The 32 sonatas for piano were chosen because they were composed during the three periods usually considered to reflect Beethoven’s career. The aim of this work is to study the link between the distribution of pitch frequencies observed in 101 movements of 32 sonatas and four periods of his compositional style. The auditory arteries running near them were dilated beyond the size …īackground : During his life, Beethoven faced a lot of personal problems and diseases that could lead to a prolonged period of serious mental disorder. The acoustic nerves on the other hand were wrinkled and were without a medulla. “The Eustachian tube the facial nerves were very much thickened. There are no reports that he could still understand spoken conversation after 1825, so we assume that his deafness was almost complete by then.2 Although still debated, these symptoms suggest a sensorineural hearing loss with its origin in the organ of Corti.3 Wagner and Rokitansky (the father of modern morbid anatomy) performed a postmortem examination on 27 March 1827, the day after the composer’s death,4 and wrote: Czerny reports that after 1812 people had to shout to make themselves understood.1 In 1818 Beethoven started to communicate through notebooks. Some details of Beethoven’s hearing loss can be derived from accounts found in his correspondence (table).⇓ His left ear was affected first, and he reported (bilateral) tinnitus, high tone hearing loss associated with poor speech discrimination, and recruitment with loud noises. And yet if anyone shouts I can’t bear it.” The sound I can hear it is true, but not the words. ![]() Sometimes too I hardly hear people who speak softly. I can give you some idea of this peculiar deafness when I must tell you that in the theatre I have to get very close to the orchestra to understand the performers, and that from a distance I do not hear the high notes of the instruments and the singers’ voices. “For the last three years my hearing has grown steadily weaker. Edoardo Saccenti and colleagues chart the relation between the composer’s deafness and his compositionsīeethoven (1770-1827) first mentioned his hearing loss in a letter to the physician Franz Wegeler dated 29 June 1801:
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